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Historical Archive: Helmets thirteenth century to present representations follow surviving examples parade helmet crest, copper gilt, c.1430-70, Arezzo MS, which has its own page portal from Hylestad stave church, late 12th-early 13th c., OHM C4321, which has its own page buckle with fighting knights from Kígyóspuszta (Hungary), gold and niello, 13th c., HNM candle-stick in the form of a mounted knight from Mühlhausen/Thuringia, Niedersachsen? 13th c., KGM F139 candle holder in the form of a dragon eating a knight, bronze? early 13th c., Niedersachsen, WLM. For full object see WLM. equestrian seal of William Fitzhamor, jet intaglio, English early 13th c., BM 1978,1-2,1 font, copper alloy c.1226, Hildesheim Cathedral. This work has its own page. John the Baptist in prison, mosaic c.1240-1310, Baptistery of St. John, Florence. This work has its own pages. Virgin and Child reliquary predella, Coppo di Marcovaldo c.1270-80, Santa Maria Maggiore, Florence. This work has its own page. Tristan embroidery, wool on linen, c.1300-25, WIEN Ha 1, WienMus, which has its own page with more helmets Nedstryn altar frontal, painted pine 1300-25, Bergen MA 1, which has its own page with more helmets gryphon gripping knight, copper alloy aquamanile fr. Strinda, c.1300-1350, Bergen MA 67. For oblique and full views see Bergen. Giovanni Pisano pulpit 1302-10, which has its own page with more armor and helmets, in Pisa cathedral Virgin of Jeanne d'Evreux, silver gilt/enamel, 1324-39, Louvre MR 342, which has its own page center figure in helmet: Muhammad ibn al-Zayn, Baptistère de Saint Louis, Egypt or Syria c.1330-40, Louvre LP16. This work has its own page. Ambrogio Lorenzetti, Good and Bad Government 1338-40, Siena, which has its own page Crucifixion and Resurrection, France c.1350-1400, ivory, loan to UMMA from Met 1917,17.190.200. For full diptych see UMMA. Life of St. Martin of Tours, embroidered altar frontal, 2nd half of 14th c., MRAH. This work has its own page. Tsar Stefan Uros V Dusan/Stefan the Feeble of Serbia, coin reverse 1355-71: helmet with elaborate crest, NBM. For a similar helmet see Skopje. soldiers (right): Yakov Fedosov 1359, Lyudogoshch cross, wood, which has its own page, Novgorod AM Duke Christopher (d. 1363), alabaster with glass, Roskilde cathedral, which has its own page Apocalypse cycle c.1363/65: Karlstejn Castle, Chapel of the Virgin Mary, which has its own own page. Christ carrying the cross: Baptistery, cathedral of Padua, 1376 frescoes: Giusto de' Menabuoi. This work has its own pages with more examples. Wood chest with tournament, 15th-c. France, Cluny Cl.8919. For another view see Musée de Cluny St. George prob. from Windsor, 15th c., lead alloy, MoL 86.202/20 children discovered by hunters, copper/enamel, Italy 15th c., Cluny Cl. 13069 Resurrection, painted ivory, early 15th c., poss. Cologne, Schn B167. For reverse see Schn. Man of Sorrows w. instruments Passion, Niccolo di Pietro Gerini c.1405-06, tempera/panel fr Santissima Annunziata, Florence: Arezzo MS battle between Jews and Syrians, oak choir stalls, 1420, Roskilde cathedral, which has its own page Bernat Martorell, St. George, Spain 1434-35, tempera on panel, AIC 1933.786. This work has its own page. Chapel of Rarogne paintings, 1434-37, Sion, Valère basilica, which has its own interior page with additional views Parri Spinelli, Madonna of Mercy w. lives SS. Lorentino, Pergentino, tempera/panel 1435-37, Arezzo MS, which has its own page with more helmets Parri Spinelli, prob. Battle of the Milvian Bridge, c.1435-40, fresco fr. abbey of SS. Flora e Lucella, Arezzo MS Betrayal of Christ, alabaster with polychrome and gilding, England c.1450-1500, loan to UMMA from Met 1948,48.175.1. This work has its own page. Scenes from the Passion fr. Krappe family chapel, church St. Elizabeth Wrocław, painted limewood, Wrocław c.1492, MNW Śr. 109. This work has its own page. Annunciation and Arma Christi (with helmet), wood rosary bead, south Low Countries, early 16th c., Cluny: Louvre OA347. For another view see Cluny St. George and the dragon, marble, Michel Colombe 1509-10. Louvre MR 1645. This work has its own page. Maximilian I, silver 3 Guldiner, Antwerp 1517 (dated 1509), SMBMünz 18203549 left: Meerbeck carver, Passion c.1525-30, North Paradise, Cathedral, Hildesheim, which has its own pages with details Passion scenes, poss. Arnt van Tricht, oak predella fr. Kalkar c.1530-40, Schn A859. For full work see Schn. Crossing the Red Sea, enamel/copper, Jean de Court 1575-85, SF 48.2. For details see SF. John the Baptist triptych, enamel/copper, Martin Didier Pape late 16th c., SF 1952.32a-c, which has its own page grave stone of Frau von Meltzing d. Sept. 14, 1599, Kloster Wienhausen/parish church, which has its own page with full work Welcome glass (Humpen) of Thomas v. Sanitz zu Brausfelde Erbesessin, enameled glass, Germany 1616, CMA 1948.233 Battle of the Milvian Bridge, Andrea Camassei (1602/49), Lateran Baptistery narthex, Rome, which has its own interior page. Resurrection of Christ, tin-glazed earthenware, Utrecht or Rotterdam 1800-50, PMA 1992-6-2a--l. For a detail see PMA. clock in the form of The Oath of the Horatii (aft. Jacques- Louis David), bronze gilt and marble, clockwork: Le Roy, early 19th c., Musée Carnavalet Paris Ludwig Gies, Dance of Death 1917, bronze, SMBMünz 18209057 Conrad Atkinson, NEAnderthal, mixed media 1989, UMMA 2004/2.106. Art object copyright: artist/heirs.