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Historical Archive: Crucifixion of Christ 13th century to present See also Crosses and isolated Corpora through 11th c., 12th c. to present. St Albans cathedral pier painting c.1190-1220, poss. Walter of Colchester; St Albans has its own pages. marble roadside cross, Arezzo area late 12th-early 13th c., Arezzo MS. For oblique view see Arezzo Museums. Typology/Good Samaritan window, c.1207-15, Sens cathedral. The cathedral has its own interior page. processional cross fr. Willebadessen, bronze gilt, c.1210, DMP BG030, which has its own page reliquary châsse plaque: Crucifixon and St. Thomas Becket, copper gilt and enamel, Master G. Alpais and workshop (French), c.1220-1225, CMA 1951.449 right: soapstone baptismal font fr. Os, Hordaland, 1225-50, Bergen MA 37. For other views see Bergen. Reliquary cross, silver gilt and gems on wood core, Hugo de Walcourt c.1230, MRAH 3214. This work has its own page. St Albans cathedral pier painting c.1230-70; St Albans has its own pages. Naumburg cathedral west choir screen, c.1250, which has its own page Vatnås reliquary, copper gilt on wood core, Norway c.1250-1300, Copenhagen, National Museum 9085. For object see Copenhagen. beaded ciborium, c.1250-1300, Schn N42, which has its own page Nicola Pisano pulpit 1260, Pisa baptistery, which has its own page, in cathedral complex St Albans cathedral pier painting prob. 1260s-70s; St Albans has its own pages. fainting Mary and other holy women from Crucifixion mosaic 1260-75, Baptistery of St. John, Florence. This work has its own pages. Arezzo, San Francesco, with 13th c. Crucifix with St. Francis, and Piero della Francesca frescoes: Legend of the True Cross, 1452-66. For another view see Arezzo Churches. Cimabue, Crucifixion 1268-71, church of San Domenico, Arezzo. This work has its own page. reliquary capsule, silver gilt, Trier poss. c.1270, Schn G645. For lid see Schn. altar baldachin fr. Årdal, painted pine 1275-1300, Bergen 131: Crucifixion w. Peter/Paul, Christ enthroned, Virgin and Child w. St. Margaret of Antioch Tablet reliquary, late 13th-c. Mount Athos or Venice; cedar wood, copper alloy, horn, silver, manuscript, glass, beads, gems; MRAH 3225. This work has its own page. Virgin and Child w. SS. Catherine and Agnes, and Crucifixion, ivory, 14th c. France, Sens CT TC.C'7 cross 14th c., on monstrance from Aywières, silver gilt, crystal and other gems, early 13th c. Mosan, MRAH 2875. For additional views see MRAH. 14th-c. base: Lothar cross, c.985, AachenCT, which has its own page St Albans cathedral pier painting prob. c.1300; St Albans has its own pages. Passion of Christ, ivory diptych, Paris, 1st half of 14th c., MAAB. This object has its own page. Giovanni Pisano pulpit 1302-10, which has its own page with detail, in Pisa cathedral St Albans cathedral pier painting c.1310-20; St Albans has its own pages. Virgin of Jeanne d'Evreux, silver gilt/enamel, 1324-39, Louvre MR 342, which has its own page Adoration Magi and Cucifixion, ivory diptych, France c.1325-1350, Cluny Cl.15330-15331 pulpit hanging, linen and silk embroidery on linen, Wienhausen 1325-75, WIEN Hb 3. For full work see WienMus. Dečani monastery frescoes (naos), 1335-47, which have their own pages with thieves: Dečani monastery frescoes (naos), 1335-47, which have their own pages ivory Crucifixion, c.1350-60, SF 59.8 retable in Naumburg Marienkirche, c.1350-75, which has its own page with detail Crucifixion and Resurrection, France c.1350-1400, ivory, loan to UMMA from Met 1917,17.190.200. For additional views see UMMA. Crucifixion and Resurrection, ivory diptych, Paris 1350-75, PMA 1921-20-1. This object has its own page. Oratory of Charles IV 1356-60, Karlstejn Castle. The castle has its own interior page with Virgin and Child detail. Yakov Fedosov 1359: Lyudogoshch cross, wood, which has its own page Karlstejn Castle, Chapel of the Holy Cross c.1360-65, which has its own page Baptistery, cathedral of Padua, 1376 paintings: Giusto de' Menabuoi. This work has its own pages with details. miraculous Hosts of Wilsnack: Crucifixion, Resurrection, Flagellation, tin pilgrim sign, Wilsnack c.1400, WienMus Crucifixion, painted ivory, c.1400-50 Rhineland or Flanders, Schn B144 Major Sakkos of Photius, Byzantine 1408-31, Armory TK-4, which has its own page Lorenzo Monaco, Crucifix (croce dipinta), panel painting c.1420. MFAB. This work has its own page. St. Andrew with donor and Crucifixion, tempera and oil on wood, Retascon Master, Aragon c.1430, MFAB 99.1 Sion Cathedral, monument of Bishop André of Gualdo, d.1437. For full monument see Sion Cathedral. Crucifix from circle of Giuliano da Maiano 1458, Cardini chapel, San Francesco, Pescia, which has its own page Neri di Bicci, 2-sided processional cross, tempera and gold on wood, Italy c.1475, UMMA 1942.6. This work has its own page. Crucifixion and Adoration of the Magi, ivory diptych, Flemish c.1475-1500, IMA 2006.135 reliquary with pilgrim/secular badges, wood and tin alloy, late 14-early 15th c., Tournai, treasury of Nôtre-Dame. This work has its own page. reliquary cross, gold/enamel/?garnet, 15th c., MoL 94.240 Desiderio da Settignano, Saint Jerome in the Desert, marble, c.1461, NGA 42.9.113. This work has its own page. Baptismal font fr. church St. Elizabeth Wrocław, bronze, Wrocław bef. 1477, MNW SZM 5600. This work has its own page. Crucifixion and Instruments of the Passion, copper alloy hat badge, late 15th c., MoL 82.8/8 Crucifixion w. SS. Mary Magdalen, Anthony of Padua, George; attrib. Bartolomeo di Giovanni, late 15th c., Arezzo MS, which has its own page Trinity, limestone w. polychrome, late 15th c., SF 53.11. For full work see SF. crucifix, gold/enamel/emerald/sapphire, Novgorod 16th c., Novgorod AM pendant with life of Christ, silver? and ivory, Athos 16th c., Schn B122 Piero di Cosimo, Volto Santo (Christ on the Cross), c.1500-10, MFAB 1100. This work has its own page. Cross fr. Red Field Monastery, wood, c.1500-50, which has its own page host above chalice: Albrecht Altdorfer 1509-18, SS Margaret and Barbara, from altarpiece of St. Sebastian, Abbey of St. Florian. For full panel see Sankt Florian. Good Thief (Dysmas) from a Crucifixion, walnut, School of Kalkar (Germany) c.1520, UMMA 1976/1.233. This work has its own page. Meerbeck carver, Passion c.1525-30, North Paradise, Cathedral, Hildesheim, which has its own pages with details Corpus Christi flask, mold blown and free blown glass, c.1530-50, LMM 58/11. For other views see LMM. grave marker of Nicolas de Bonont and his wife and 15 children with Crucifixion, 1547, St. Séverin, Paris, which has its own page. ring with watch and Crucifixion triptych with instruments of the Passion, Jakob Weiss, gold and enamel, c.1585, IMA 73.70.93. For additional views see Indianapolis Museum. Crucifixion, Gaspar Núñez Delgado 1599; ivory, ebony, mahogany, silver, and polychrome, IMA 1995.24. For additional views see Indianapolis Museum. grave stone of Frau von Meltzing d. Sept. 14, 1599, Kloster Wienhausen/parish church, which has its own page with details Crucifixion: corpus 17th c., Vierge Ouvrante, polychromed wood, 1375-1425, Cluny Cl. 12060, which has its own page. standing cross, boxwood with pearls and glass, Greece c.1650-1800, UMMA 1961/1.177. This work has its own page. Crucifixion, Juan Carreño de Miranda 1658, oil on wood, IMA 2009.377. For inscription detail see IMA. Ethiopian double diptych pendant, late 17th c., StLouis 12:2016, which has its own page Crucifix, tin-glazed earthenware, De Twee Scheepjes 1707-27 Delft, PMA 1921-3-171,a. For another view see PMA. Thomas Eakins, Crucifixion 1880, oil on canvas, PMA 1929-184-24. For other views see PMA. St Albans cathedral: Wallingford screen sculpture Harry Hems 1899; St Albans has its own pages. unidentified family monument, HildMus. For details see Hildesheim funerary monuments.